Dizajn knjiga.
Kada smo krajem 2014. godine dobili priliku dizajnirati prvu knjigu za britanskog izdavača, nismo ni slutili da će s godinama upravo ta grana grafičkog dizajna zauzeti vodeće mjesto u našem poslovanju. S vremenom smo dobivali nove klijente, uglavnom u Ujedinjenom Kraljevstvu.

Oblikovali smo više od 60 knjiga.
- Jantar Publishing specijalizirao se za zapadnoslavenske i baltičke jezike.
- Dom Marina Držića promiče djela tog hrvatskog barda kroz prijevode na strane jezike.
- Istros Books vodeći je britanski izdavač prijevoda pisaca iz Jugoistočne Europe.
- Peter Owen je bio nezavisan nakladnik sa sedamdesetogodišnjom tradicijom.
Osim pripreme za tisak, redovito dizajniramo i e-knjige.
Bez udovica i siročadi!
Grafički prijelom knjiga smo radili prema hrvatskim, britanskim, američkim i francuskim pravilima. Svaka stranica i odlomak, redak, razmak i navodnik prilagođen je konvencijama jezika na kojem je knjiga.
Sve naše naslovnice
- Sve
- ISTROS BOOKS
- DOM MARINA DRŽIĆA
- PETER OWEN
- JANTAR PUBLISHING
- EGLANTYNE BOOKS
2014 / Andrej Nikolaidis: “Till Kingdom Come”
2014 / Çiler İlhan: “Exile”
2014 / Aleksandar Prokopiev: “Homunculus”
2014 / Aleš Šteger: “Absolution”
2014 / Aleksandar Gatalica:”The Great War”
2015 / Goran Vojnović: “Yugoslavia, My Fatherland”
2015 / Evald Flisar: “My Father’s Dreams”
2015 / Olja Savičević: “Farewell, Cowboy”
2015 / Gabriela Babnik: “Dry Season”
2015 / Muharem Bazdulj: “Byron and the Beauty”
2016 / Ioana Pârvulescu: “Life Begins on Friday”
2016 / Mircea Eliade: “Diary of a Short-Sighted Adolescent”
2017 / Marin Držić: “Uncle Maroye” (ilustrirao Ivan Ivanović)
2017 / Julio Llamazares: “Wolf Moon”
2017 / Tea Tulić: “Hair Everywhere”
2017/ Dana Todorović: “The Tragic Fate of Moritz Tóth”
2017/ Mirjana Novaković: “Fear and His Servant”
2017 / José Ovejero: “Inventing Love”
2017 / Cristina Fernández Cubas: “Nona’s Room”
2017/ Filip David: “The House of Remembering and Forgetting”
2018 / Evald Flisar: “A-Swarm-of-Dust”
2018 / Mircea Eliade: “Gaudeamus”
2018 / Pavel Vilikovský: “Fleeting Snow”
2018 / Kristīne Ulberga: “The Green Crow”
2018 / Biljana Jovanović: “Dogs and Others”
2018 / David Vaughan: “Hear My Voice”
2018 / Marin Držić: “Skup” (ilustrirao Ivan Ivanović)
2018 / Kai Aareleid: “Burning Cities”
2018 / Sigitas Parulskis: “Darkness and Company”
2018 / Daša Drndić: “Doppelgänger”
2018 / “And My Head Exploded” (ilustrirao Mihael Bađun)
2019 / Ivana Dobrakovová: “Bellevue”
2019 / Olja Savičević: “Singer in the Night”
2021 / Ana Schnabl: “The Masterpiece”
2019 / Olja Savičević: “Farewell, Cowboy”
2021 / Aslı Biçen: “Snapping Point”
2021 / Rainer Maria Rilke: “Sonnets to Orpheus”
2024 / Artur Dron’: “We Were Here”
2020 / Goran Vojnović: “The Fig Tree”
2019 / Dušan Šarotar: “Billiards at the Hotel Dobray”
2020 / Katja Perat: “The Masochist”
2019 / Balla: “Big Love”
2021 / Ernst Johannsen: “Memories of a War Horse”
2022 / Krisztina Tóth: “Barcode”
2020 / Predrag Matvejević: “Our Daily Bread”
2019 / Karel Hynek Mácha: “Gypsies”
2020 / Goran Vojnović: “Yugoslavia, My Fatherland”
2022 / Ivana Dobrakovová: “Mothers and Truckers”
2020 / Ludovic Bruckstein: “With an Unopened Umbrella in the Pouring Rain”
2021 / Ádám Bodor: “The Birds of Verhovina”
2019 / Dino Bauk: “The End and Again”
2019 / Andrej Nikolaidis: “The Olcinium Trilogy”
2023 / Jakub Arbes: “Newton’s Brain”
2021 / Daša Drndić: “Canzone di guerra”
2023 / Gustáv Reuss: “The Science of the Stars”
2020 / Balla: “Dead”
2020 / Andriy Lyubka: “Carbide”
2021 / Mitja Čander: “Blind Man”
2022 / Marin Držić: “Old Stan” (ilustrirao Duje Medić)
2024 / Marin-Držić: “Pinch Hoard” (ilustrirao Dubravko Kastrapeli)
2025 / Marin Držić: “Venus and Adonis” (ilustrirao Dubravko Kastrapeli)
2024 / Jaroslav Rudiš: “Winterberg’s Last Journey”
2025 / Karel Jaromír Erben: “Kitice”
2025 / Yaryna Chornohuz: “[dasein: defence of presence]”
2026 / Marin Držić: “Plakir, Son of Cupid” (ilustrirao Dubravko Kastrapeli)